Q&A with Jonas Rivera and Pete Docter

How did you develop the particular visual language of this film?
It was really challenging. There were things that we felt were important early on that ended up boxing us in.

Q&A with J.C. Chandor, Jessica Chastain, and Oscar Isaac

Mr. Chandor, why did you want to bring this story to the screen?
It was sort of two ideas that ran into each other. There was this core story that I had been working on for many years – probably six or seven years, actually – about a husband and wife who ran a business together.

Q&A with Alex Gibney, Betsy Andreu, and Jonathan Vaughters

What was involved in the production of making such a visually and sonically rich film?
At the Tour de France we had a full ten cameras, and we were able to put a camera inside the car, sometimes two, and then at every stop along the way we had three cameras in every car.