The Lost Leonardo – Q&A with Andreas Koefoed

get involved?
Andreas Koefoed: A producer friend of mine got in touch and told me about this incredible story. He was in touch with this British art critic—Ben Lewis—that was writing a book about the whole affair.

John and the Hole – Q&A with Pascual Sisto

Can you discuss the way the film begins, and ends, with a family dinner scene?

Pascual Sisto: I think they are two very important scenes, but I will first say that, as a point of interest, they were shot on the same day because of practical reasons.

Val – Q&A with Ting Poo and Leo Scott

How did this project manifest?
Leo Scott: I was editing a half hour comedy where Val Kilmer was playing himself as a motivational speaker in this sort of parallel universe. It was such a great performance, so bonkers and I wanted to tell him that.

Bring Your Own Brigade – Q&A with Lucy Walker

It was fascinating to learn that you had already been in the process of making a film about wildfires when the camp and woolsey fires occurred. Can you tell us about that?
Lucy Walker: That’s right. The reason I was able to really embed, and I knew what I was looking at and could just jump in, and start asking the right questions was because I’d actually been working on the film already for about a year at that point.

Settlers – Q&A with Wyatt Rockefeller

It felt like there were unexpected and interesting story turns at every corner. What sparked this idea for you?

Wyatt Rockefeller: The spark for the idea came, really, from a feeling. I was in the woods with my Dad, and it was snowing.