Q&A with Simon Pegg and Karl Urban

For a summer blockbuster, this film has some really nice, quiet character moments.
I don’t think you can watch a film that is full of explosions and care about it if you don’t have some care about the people that it is happening to.

Q&A with Oliver Hermanus

What was your experience working with the author of the memoir on which the film is based?
Oliver Hermanus: The first thing I did, when I was certain I would tackle it, was I met with [author Andre Carl van der Merwe] a few times.

Q&A with Michael Sarnoski and Vanessa Block

Do you think Nicolas Cage’s casting creates an expectation with the film? And if so, did you intentionally subvert those expectations in any way?
I think it does create an expectation. Certainly, people have certain types of films that they associate with Nic Cage. But we never set out to subvert anything

Q&A with John Krasinski

How did you get on this project? How did it come to you?
John Krasinski: So I was about to start pre-production on Jack Ryan, and some of the producers on Jack Ryan were Platinum Dunes, and they said, “Would you ever act in a genre movie?” And I said, “Oh no, I can’t do that, I don’t do horror movies.”

Q&A with Eliza Hittman, Sidney Flanigan and Talia Ryder

Eliza, when did you first start to think about making this remarkable film?
Eliza Hittman: I first began thinking about this film in 2012. I read a newspaper article that was all about the death of Savita Halappanavar, this woman in Ireland who died after being denied a life-saving abortion.

Q&A with Andrea Pallaoro, Trace Lysette, and Patricia Clarkson

I’d love to hear how you developed the script.
Andrea Pallaoro: Well, it’s a film that I had envisioned as part of a much larger exploration on the traumas and the dynamics of what it means to feel abandoned and the consequences of that.

Q&A with Alex Gibney, Betsy Andreu, and Jonathan Vaughters

What was involved in the production of making such a visually and sonically rich film?
At the Tour de France we had a full ten cameras, and we were able to put a camera inside the car, sometimes two, and then at every stop along the way we had three cameras in every car.

NATIONAL BOARD OF REVIEW ANNOUNCES 2018 AWARD WINNERS

THE NATIONAL BOARD OF REVIEW NAMES 2018 HONOREES INCLUDING GREEN BOOK FOR BEST FILM OF THE YEAR & BRADLEY COOPER FOR BEST DIRECTOR OF THE YEAR The Organization’s Gala will be held on Tuesday, January 8, 2019 in New York City New York, NY (November 27, 2018) – The National Board of Review today announced […]