How did you get involved with this project?
I came to this book as a casual reader. I got it from the same bookstore you see James [Franco] signing books in at the start of the movie.
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July 2022
Q&A with Max Walker-Silverman, Dale Dickey, and Wes Studi
here did this idea come from, and how did the project get moving?
Max Walker-Silverman: Umm… that’s the most reasonable question in the world, and I’ve never figured out the cleanest answer to it.
February 2023
Q&A with Laura Poitras
The following questions and answers are excerpted from a conversation that followed the NBR screening of All the Beauty and the Bloodshed. You really weave so many stories together so beautifully in the film. How did you and Nan weave in and out of each other’s lives? Laura Poitras: Nan and I have intersected, sometimes literally […]
December 2016
Q&A with Kenneth Lonergan, Michelle Williams, Lucas Hedges, and Casey Affleck
Can you talk about playing someone who is emotionally disconnected or doesn’t show emotion?
Casey Affleck: I don’t often think myself about how much emotion I’m showing in real life.
April 2014
Q&A with John Turturro
Let’s talk about the story. What inspired this script?
I’ve always liked movies about streetwalkers. I mean, there’s been so many of them, from every culture.
March 2023
Q&A with Jamie Dack, Leah Chen Baker, and Jonathan Tucker
Was there an importance to telling this story at this particular time?Jamie Dack: I was writing this script at a certain time in my life where I was starting to look back on some relationships I had when I was younger—one in particular. I think due to my age, and time passing, I had started to look back on it differently.
August 2017
Q&A with Edgar Wright
How did you translate the stage direction into the performance?
Edgar Wright: When I gave the script to the actors, they had all of the music as well, so they could read the script with the right music playing.
November 2013
Q&A with Alex Gibney, Betsy Andreu, and Jonathan Vaughters
What was involved in the production of making such a visually and sonically rich film?
At the Tour de France we had a full ten cameras, and we were able to put a camera inside the car, sometimes two, and then at every stop along the way we had three cameras in every car.