An American woman flies to a small town in Mexico to visit her estranged auntie. She is a traveling saleswoman. What she sells shocks the culture and vibrates the town, but it also brings women together.
Exiled out of Himalayan High Society and estranged from his affluent father, a small town New England kid looks to his past.
What made the story right for a modern day interpretation?
Nicholls: I think if you pitch the story – an independent woman has to choose between three different contrasting men while maintaining her independence – I think that would feel very modern and contemporary.
Your character is particularly interesting because he comes across as an avatar of our current president, only more articulate and charismatic. What was your approach to him?
John Lithgow: I choose to take that as a compliment
Can you talk about adapting your own book for the screen?
They initially approached Dan Fogelman, who’s a very established screenwriter. And he actually flipped it back to me and said he thought I should do it. At that point I just assumed I was talking to someone who was insane, and that this would be a terrible mistake.
Can you talk about what it was like to craft these characters?
James Mangold: I’m a big believer in hanging out. I am not a big believer in rehearsing.
What in your own life has helped you connect with the story?
John Crowley: I moved to London when I was 27 to direct a play at the National Theatre. Having been back and forth from London since I was about ten, I knew London better than I knew Dublin.
How did you prepare for the role of Mia?
Emma Stone: I met Damien while working on Cabaret in New York. That was my first professional exposure to singing and dancing
Can you take us through the process of making this film? There was a long period of time when you were building toward something like this.
Chloé Zhao: During my third year at NYU, I was thinking about what feature film to make. That’s when I first went out to Pine Ridge.
Most of your films are connected to specific real-world locations. How did you approach this film where you created the place of Leisure Land?
Alexander Payne: Well it’s simply what the screenplay required.
MANCHESTER BY THE SEA NAMED 2016 BEST FILM OF THE YEAR BY THE NATIONAL BOARD OF REVIEW *** The Organization’s Annual Gala will be held on Wednesday, January 4, 2017 with NBC’s Willie Geist set to return as host New York, NY – (November 29, 2016) – The National Board of Review has named […]