What was the process of you discovering the source material and trying to get it produced?
DeCaprio: As soon as I read the novel I thought, “This is like a modern day Caligula.”
Search Results for: The Bad and the Beautiful
October 2015
Q&A with Ryan Fleck, Anna Boden, and Ryan Reynolds
What was it about the riverboat casinos in Iowa that compelled you to write this story?
It was really interesting to see the anti-glamorous version of a casino. There was a story in there somewhere that we hadn’t seen on film before.
January 2016
Q&A with Quentin Tarantino, Jennifer Jason Leigh, Walton Goggins, and Kurt Russell
The following questions and answers are excerpted from a conversation that followed the NBR screening of The Hateful Eight. Where did the idea for this film come from? Quentin Tarantino: It started because while I didn’t really want to write a sequel to Django, I did like the idea of maybe a series of paperback books like […]
April 2022
Q&A with Pierre Perifel, Luc Desmarchelier and Marc Maron
In a narrative film, a character might have some piece of wardrobe or a prop that helps them inform the character. How did you work together to develop the voice of Snake?
Marc Maron: When we first got there, they showed me the sketches for the character but I think they were still trying to figure out how to get him to move.
October 2015
Q&A with Michael Fassbender, Jeff Daniels, Danny Boyle, Aaron Sorkin, and Kate Winslet
How did you develop this story?
Aaron Sorkin: I like claustrophobic spaces and compressed periods of time, especially when there’s a ticking clock. I like being behind the scenes, in this case literally behind the scenes.
June 2021
Q&A with Michael Barnett, Alex Schmider and Clare Tucker
The following questions and answers are excerpted from a conversation that followed the NBR screening of Changing the Game. Michael, I understand you came to the project when a friend shared that they had a child that was transgender. How important was it to make this film in order to become that much more of an […]
August 2016
Q&A with Meryl Streep and Hugh Grant
The following questions and answers are excerpted from a conversation that followed the NBR screening of Florence Foster Jenkins. The opening scene is really beautiful, and frames the story so well. Can you discuss how that was conceived? Meryl Streep: Well, it’s interesting that you mention that scene, because the script that we both received […]
July 2016
Q&A with Matt Ross and Viggo Mortensen
There was such incredible chemistry amongst the cast. How did you build that? What was the rehearsal process?
Viggo Mortensen: Early on, which was great and doesn’t always happen, Matt brought me into read with the last couple of kids we were casting.
April 2018
Q&A with John Krasinski
How did you get on this project? How did it come to you?
John Krasinski: So I was about to start pre-production on Jack Ryan, and some of the producers on Jack Ryan were Platinum Dunes, and they said, “Would you ever act in a genre movie?” And I said, “Oh no, I can’t do that, I don’t do horror movies.”
October 2018
Q&A with John C. Reilly, Jacques Audiard, Thomas Bidegain, and Alison Dickey
As a producer on the film, can you talk about the struggles of shooting abroad?
JR: Turns out you can’t just march into Yosemite with some horses and light some fires. It’s a lot tougher to shoot in some of the places we were looking for.
October 2019
Q&A with James Mangold and Jenno Topping
Can you talk about what it was like to craft these characters?
James Mangold: I’m a big believer in hanging out. I am not a big believer in rehearsing.
September 2023
Q&A with David Petersen, Steven Melendez, and Mary Recine
How did the project begin?
David Petersen: So it began at a dog park, where all projects have to start!
September 2021
Q&A with Amber Sealey, Elijah Wood and Luke Kirby
What was your initial reaction to the script?
Elijah Wood: I came into the script about five years ago, at a film festival in Austin, Texas, called Fantastic Fest.
November 2013
Q&A with Alex Gibney, Betsy Andreu, and Jonathan Vaughters
What was involved in the production of making such a visually and sonically rich film?
At the Tour de France we had a full ten cameras, and we were able to put a camera inside the car, sometimes two, and then at every stop along the way we had three cameras in every car.