Search Results for: The Old Man
November 2020
Q&A with Tomm Moore and Ross Stewart
It is obvious from the first frame that a tremendous amount of work went into this film, even by the high standards of feature animation. Can you discuss the seven year process?
Tomm Moore: The story development went hand in hand with the art development.
May 2015
Q&A with Thomas Vinterberg, Michael Sheen, David Nicholls, Matthias Schoenaerts, and Carey Mulligan
What made the story right for a modern day interpretation?
Nicholls: I think if you pitch the story – an independent woman has to choose between three different contrasting men while maintaining her independence – I think that would feel very modern and contemporary.
June 2021
Q&A with Theo Anthony
Can you talk about that decision, and how you thought about the various meta elements of the project?
Theo Anthony: That idea of accounting for the act of observation in observing is something that I’ve always been drawn to, as a big science nerd!
June 2022
Q&A with Stefan Forbes
The following questions and answers are excerpted from a conversation that followed the NBR screening of Hold Your Fire. The film took place in my old neighborhood—I lived a block and a half from where those events took place, right on the J line. It’s a major intersection, a very busy hub. To me, this is […]
October 2018
Q&A with Sissy Spacek, David Lowery, and Robert Redford
How did you find this story?
David Lowery: It was a true story about this guy whose life was too good to be true in terms of a narrative.
February 2023
Q&A with Sarah Polley, Jessie Buckley, Claire Foy, Ben Whishaw, Rooney Mara, and Dede Gardner
Can you describe your approach to adapting the novel, and to making the story so cinematic?
Sarah Polley: I think I always thought of the story as somewhat of an epic.
April 2022
Q&A with Richard Linklater and Tommy Pallotta
What were your first thoughts, after reading the script?
Simon Rex: I was just like… whoa. Whoa. WHOA!
March 2016
Q&A with Ralph Ineson, Anya Taylor-Joy, Robert Eggers
There’s an incredible attention to detail throughout the film, from the dialog to the set decoration. Could you describe how you approached these aspects of the film?
Robert Eggers: New England was the most literate part of the Western World; you had to teach your children how to read– it was against the law if you didn’t, because you had to read the bible in English.
October 2018
Q&A with Quincy Jones and Alan Hicks
We spent three years filming, and we went to twenty five countries with Quincy.
February 2022
Q&A with Potsy Ponciroli and Tim Blake Nelson
The locations are incredible. How did you find them?
Potsy Ponciroli: This film was really created out of the location.
December 2017
Q&A with Paul Thomas Anderson, Lesley Manville, and Daniel Day-Lewis
What inspired you with this film and why did you set it in the world of 1950’s London fashion?
Paul Thomas Anderson: I had a thin story for a romance about a man, woman, and maybe third party.
February 2021
Q&A with Paul Greengrass and Helena Zengel
Can you tell us about the origins of this film?
Paul Greengrass: I think the origins of it lie in the last film I made, actually, 22 July, which was a pretty tough film about violent right-wing extremism in Europe.
May 2021
Q&A with Michael Rianda, Phil Lord and Christopher Miller
The following questions and answers are excerpted from a conversation that followed the NBR screening of The Mitchells vs the Machines. This film has been long in the making and is clearly a heartfelt project. Mike, can you tell us how it all started? Michael Rianda: Sony had approached me about making a movie and because […]
December 2015
Q&A with Michael Fassbender
When an actor does Macbeth on stage, they get to experience the character straight through. How was it playing it in a film?
It’s just a normal thing, really. It’s such a rare opportunity to do something in chronological order when filming; it just never really happens.