Q&A with Thea Sharrock and Anjana Vasan

What drew you to the role of Gladys?
Anjana Vasan: My agent sent me the script and said Thea Sharrock wants to meet you, have a read, and Olivia Colman’s attached and before she could finish saying Olivia Colman I went, yes!

Q&A with Simon Rex

What were your first thoughts, after reading the script?
Simon Rex: I was just like… whoa. Whoa. WHOA!

Q&A with Pat Healy

In Compliance, you were the sadist, the controller. There are very similar themes here but in this case you’re on the other side.
It’s kind of interesting. In Great World of Sound, I almost play a version of the Ann Dowd character from Compliance.

Q&A with Parker Posey and Jamie Blackley

How did missing certain parts of the script before shooting influence you?
Parker Posey: I came on set thinking the film was one way — kind of light fare — and I sort of had water thrown on me by Woody: He immediately told me that she’s a suffering, lonely woman; she’s very unhappy.

Q&A with Nikole Beckwith

Films like this are so clearly made with love and rely on character. What inspired you to tell this story in the form of a feature film?
Nikole Beckwith: In terms of what inspired the story, it was just curiosity.

Q&A with Gia Coppola and Nat Wolff

The film is based on a book of short stories by James Franco. Can you tell us about how the project developed?
Coppola: James and I met up randomly – I had seen him at a deli and then later that night I ran into him again.