Stay Awake – Directed by Jamie Sisley

Brothers, a mother, songs from the seventies, Xanax, and a woman named Vicki. Stay Awake follows two teenage brothers through their weekly routine of finding their wandering mother and taking her to the hospital to detox from a prescription drug addiction. When it becomes clear that their mom may never get better, both brothers have to decide whether to remain in the cycle, or move on.

Q&A with Wes Anderson, Ralph Fiennes, Tony Revolori

Talk about the inspiration for this piece.
Anderson: There’s this writer Stefan Zweig, who I had never heard of up until six or seven years ago. I read “Beware of Pity” – which I loved – and I thought about trying to adapt this book. But then I read more of his fiction and I kind of liked many of the pieces, and then his memoir, “The World of Yesterday,” ended up inspiring the whole setting of the movie. So I ultimately decided to do something Zweig-like, instead of adapting only one of them.

Q&A with Tim Seelig

Were you the one who conceived of this tour in the first place?
Tim Seelig: We were coming out of the 40th anniversary of the gay men’s chorus. San Fransisco Gay Men’s Chorus birthed the movement.

Q&A with Saoirse Ronan and Greta Gerwig

One of the most priceless moments in the film is when Lady Bird escapes from the car. What was it like putting that scene together?
Greta Gerwig: That scene was such a monster on the page because there are so many emotions.

Q&A with Ron Howard and Raymond Phathanavirangoon

What was it like bringing a production of this size to Thailand?
Ron Howard: That was the big question I was asking of myself, going into the movie. I knew there was a genuine hurdle there.

Q&A with Ridley Scott

You used classic filmmaking techniques, especially in the opening scene. Can you talk about shooting it?
Scott: These storms are absolutely disgustingly filthy, and we had real fifth in the air. You have a real mix of dust.

Q&A with Ramin Bahrani and Michael Shannon

How did you come to this story, and what was the writing process?
Bahrani: I was interested in this whole world-turned-upside-down issue during the economic crisis. The focus was housing.

Q&A with Pedro Kos and Shawnee Isaac Smith

The following questions and answers are excerpted from a conversation that followed the NBR screening of Rebel Hearts. How did the project begin and how did you two come together? Shawnee Isaac Smith: I’ll start since it was twenty-one years ago when I met one of the Immaculate Heart sisters and was so inspired by their […]

Q&A with Morgan Neville

The letter’s from a five year old boy and it says, “Dear Mr. Rogers, are you for real? Are you for real or not?”

Q&A with Miranda July

Can you talk about your scriptwriting and research process?
Writing can come with all sorts of weird blocks, so part of it for me is outsmarting those blocks

Q&A with John Krasinski

How did you get on this project? How did it come to you?
John Krasinski: So I was about to start pre-production on Jack Ryan, and some of the producers on Jack Ryan were Platinum Dunes, and they said, “Would you ever act in a genre movie?” And I said, “Oh no, I can’t do that, I don’t do horror movies.”

Q&A with Jessica Kingdon

You did almost all of the work on this film— what was that experience like?
Jessica Kingdon: I did have a close cinematographer, Nathan Truesdell, and we shot it together. But, yeah, it was very much a film that was coming out of my own mind.

Q&A with James Mangold and Jenno Topping

Can you talk about what it was like to craft these characters?
James Mangold: I’m a big believer in hanging out. I am not a big believer in rehearsing.